Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup.
An alcoholic, abusive ne'er-do-well is shown the error of his ways through a legend that dooms the last person to die on New Year's Eve before the clock strikes twelve to take the reins of Death's chariot and work tirelessly collecting fresh souls for the next year.
A married couple on the verge of separation are leveled by the news their 18-year-old son committed a mass-shooting at his college, then took his own life.
The story of a panic attack; of one, no, two hands dancing; of a party that does not fit everyone; of a tramp challenging the divine; of a little girl that aged a bit.
Yumeka (Kanon Nawata) whiles away her time making art in a studio left to her by her grandmother, though it appears she’s not attached to the art and may not find real value in it.
When she arrives in a new world, Isabela is tasked with discovering her true essence. Watched by Shadow, the guardian of this ghostly place, Isabela meets other travelers and reevaluates her memories, relationships and emotions.
Following the class of 2020 at Oakland High School in a year marked by seismic change, exploring the emotional world of teenagers coming of age against the backdrop of a rapidly changing world.
Featuring rare archive footage of Stalin, Hitler, Mussolini, and Churchill. The leaders hold imaginary conversations around WWII, revealing their personal takes of wartime events.
The night is dark and cold, I walk through the plantations, I look at the leaves and stems of the banana trees while memories of my grandfather come to my mind.
Left quad. Right quad. Lunge. A girls indoor soccer team warms up. From the safety of their suburban stretch circle, the team navigates big questions and wages tiny battles with all the vim and vigor of a pack of adolescent warriors.
For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.