Shireen Seno’s video essay explores the transformation and commodification of nature through archival photographs from the American colonial occupation of the Philippines in the first half of the 20th century. These images testify to what the voiceover calls “the sticky relationship between humans and nature and their entanglements with empire”—an ambivalent dependence on natural resources that drives the colonial project and implicates photography, with its concurrent processes of preservation, transmutation, and destruction.
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The night is dark and cold, I walk through the plantations, I look at the leaves and stems of the banana trees while memories of my grandfather come to my mind.
A soldier, which army, which era, unclear. What’s clear is the evil he’s done. Faced with his impending mortality, he fears being judged in the afterlife.
When single mom Callie and her two kids Trevor and Phoebe arrive in a small Oklahoma town, they begin to discover their connection to the original Ghostbusters and the secret legacy their grandfather left behind.
When a young boy, Noah, meets Zooey, a young girl living in a motel, they form an unbreakable bond. Soon after Noah discovers a secret about her that changes the course of his summer forever.
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