A series of static shots repeated throughout the seasons slices and builds an anonymous forest with a river winding through it. Using remarkably precise sound, this film immerses us in a place with fauna that flourishes and flora that expresses itself through interactions with the elements. Eventually, a discrete human presence is felt within this natural setting, and the filmed landscapes gradually change before our eyes, alluding to a higher power that could upset the balance. With this carefully constructed, surprising and minimalist film, Robert Morin blurs boundaries and reminds us that reality is always fabricated in cinema.
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In Adios Amor, the discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother driven to speak out by her twelve children’s hunger.
With only each other to depend on, 14-year-old Shamira and her mother flee tribal genocide. While they fight to escape South Sudan’s violent civil war, experts and defectors challenge those in power.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
