A series of static shots repeated throughout the seasons slices and builds an anonymous forest with a river winding through it. Using remarkably precise sound, this film immerses us in a place with fauna that flourishes and flora that expresses itself through interactions with the elements. Eventually, a discrete human presence is felt within this natural setting, and the filmed landscapes gradually change before our eyes, alluding to a higher power that could upset the balance. With this carefully constructed, surprising and minimalist film, Robert Morin blurs boundaries and reminds us that reality is always fabricated in cinema.
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Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
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