On March 16, 1978, far-left terrorists of the Red Brigades kidnap Aldo Moro, leader of the Christian Democracy, the ruling party in Italy since the end of WWII.
After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.
Much-censored documentary encompassing thirty years of Italian politics under the governance of the Christian Democracy (DC), entirely composed of — occasionally dubbed — archival footage.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin.
Three lazybones friends manufacture a firebomb and place it in a cinema. Pearl, a sadistic young girl, has observed the scene, follows the bombers and starts to manipulate them.
The 1978 kidnapping and murder of Aldo Moro, president of the most important political party in Italy at the time, Democrazia Cristiana, as seen from the perspective of one of his assailants -- a conflicted young woman in the ranks of the Red Brigade.
A documentary film-project by Dmytro Komarov. He was the first journalist to witness and film the horrors of the just-liberated towns of Bucha, Irpin and Hostomel.
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A school teacher's career and private life are derailed when a video of him seemingly groping a girl's breasts on the subway goes viral on the internet.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
A young woman guides a man through a mysterious forest. In his eyes, everything seems normal, until he comes across two women waiting for him in a macabre ritual.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
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