The two best football teams of Yugoslavia met at the Maksimir Stadium in Zagreb on May 13, 1990. The match was never played. Fragments untitled #6 vivisects media footage of the event. The film is part of Fragments untitled ongoing serial of works through which Doplgenger researches the politics of media images that participated in creating the historical narratives of Yugoslavia in the period of 1980-2000., especially media images that performed the pretext to the Yugoslav Wars and the breakup of Yugoslavia. Fragments untitled is based on the private archives of citizens who recorded the TV schemes in the 90s. At the same time these are the images that refer to the contemporary age.
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Alberto, a collective taxi driver, observes through the lives that pass through his car, the beauty hidden in the decadence of the oil city where he works.
Gage and Hannah are a young couple making a new home off the coast of Florida. Their marriage has been rocky, but all of that changes when the new girl, Julie, moves in next door.
A radio show by Count Slashula at 'Slash FM', on a Halloween Night, will be presenting and warning viewers about the creepy stories they are about to watch, involving death, blood and some laughs.
In Adios Amor, the discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother driven to speak out by her twelve children’s hunger.
A grandson lives with his grandparents, taking care of housework and the old marriage. On a very special day for the granny, it will be shown why the unpredictability of an event gives a new value to the young man´s presence in the house.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
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