Third part of a series, in which the figure in the frame is Larose’s father, Jacques Larose. It was shot in Super-8mm and 16mm—later enlarged to 35mm—and alternates between colour and black and white.
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In Adios Amor, the discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother driven to speak out by her twelve children’s hunger.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
A young woman guides a man through a mysterious forest. In his eyes, everything seems normal, until he comes across two women waiting for him in a macabre ritual.
After the raging fire, landmarks are rediscovered, artificial frontiers carved into the earth. They are stones founded in history by almost extinct ways of doing, where word is law.
Follows Andrew ‘bunnie’ Huang, a gray-hat hacker who rose to international fame in 2001 after clashing with tech giant Microsoft over his guide to modifying the Xbox.
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