Two young Congolese filmmakers are surprised by the enthusiastic reception of Stop Filming Us, a Dutch film shot in Goma by Joris Postema in 2019. That film enters into dialogue with local image makers to ask whether a western perspective on the Congo can do justice to reality, but in the view of those makers themselves, it conversely illustrates the problem perfectly: this production's perspective also distorts impressions of Congolese reality. In answer to their critique, the Dutch producer made the raw footage available to them so they could edit it into their own film. But can the images – without context – really tell their story?
Watch the official Kumbuka 2022 trailer in HD below.
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A school teacher's career and private life are derailed when a video of him seemingly groping a girl's breasts on the subway goes viral on the internet.
In Adios Amor, the discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother driven to speak out by her twelve children’s hunger.
He is a sensitive boy who represses his true personality. After experiencing traumatic experiences, our protagonist begins to open to the world on a journey that made him the person who is.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
For best friends Becky and Hunter, life is all about conquering fears and pushing limits. But after they climb 2,000 feet to the top of a remote, abandoned radio tower, they find themselves stranded with no way down.
Set more than a decade after the events of the first film, learn the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.
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