This new episode of the Notebooks is entitled The New Desert (4 March 1998 to 26 November 1998). These are years of cinematographic maturity in a world that is searching for its bearings and has not found its bearings following the collapse and disappearance of the USSR and its communist satellites. It was a period of indecision and uncertainty. Are we happy? Is one unhappy? Nobody really knows. I travel, film, watch the events that come before my camera. I travel, film, watch the events that come before my camera. But I only retain the most insignificant or the most unusual, those that do not make history but are my history. My eye lingers on what others don't look at, on the banality of things, on what television and mainstream cinema ignore.
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For best friends Becky and Hunter, life is all about conquering fears and pushing limits. But after they climb 2,000 feet to the top of a remote, abandoned radio tower, they find themselves stranded with no way down.
Two actresses see each other again at the premiere of a new stageplay after a sensual summer. The encounter is hopeful for one of them, less pleasant for the other.
With only each other to depend on, 14-year-old Shamira and her mother flee tribal genocide. While they fight to escape South Sudan’s violent civil war, experts and defectors challenge those in power.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
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