Young women perform Passacaglia della Vita, an anonymous medieval chant reflecting on the human presumption of possessing a fate different from others in the face of death, while recalling the inevitability shared by every existence. The performance takes place inside a greenhouse designed in 1854 by architect Alphonse Balat as a study model for the Royal Greenhouses of Belgium, commissioned by Leopold II to house exotic plants brought from the Belgian Congo.
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