As biological entities, we cannot refrain from love and desires, or organic form, whether geometry surrounds us or not. And when do we feel us as an individual? This film starts with a transported situation and ends at a transport situation. The film shows replacement from holism to individualism.
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In the translucent LA dusk we discover four women living very different lives. The camera follows each as they wind down their working days, their four stories weaving together as each prepares for their evening.
In comedian Johnny Ray Gill's parody of the Universal horror flick, actor Daniel Rubiano has to face the music when he reports to work the next morning.
Luis Miguel, a 30-35 year old man, unemployed, lonely and with a boring life. He realizes that his Wednesdays are disappearing, or worse, someone is stealing them, and oddly enough there is an association behind all this trafficking in his days.
In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.
A storm is on the horizon. When a jet-black cloud engulfs a small village, the residents discover that it could put an end to more than just blue skies.
A young woman guides a man through a mysterious forest. In his eyes, everything seems normal, until he comes across two women waiting for him in a macabre ritual.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
After the raging fire, landmarks are rediscovered, artificial frontiers carved into the earth. They are stones founded in history by almost extinct ways of doing, where word is law.
A painter in the throes of a creative block finds inspiration thanks to a fascinating and mysterious gallery owner, but he can't expect the shocking consequences of their encounter.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
With only each other to depend on, 14-year-old Shamira and her mother flee tribal genocide. While they fight to escape South Sudan’s violent civil war, experts and defectors challenge those in power.
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