Inspired by the knowledge of their ancestors, Ramón and Camilo conserve different varieties of corn with the hope that when they die, there will be someone who will carry on their legacy.
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years.
In this short film, filmmakers Bob Sabiston and Tommy Pallotta accompany Ryan, a six-foot-tall, 13-year-old autistic boy, to a local convenience store to purchase a "snack and drink".
Recorded every day for a year at exactly the same place and same time, this experimental film-poem documents the desire to clutch and hold each moment.
Georgia’s former prime minister has found a unique hobby. He collects century-old trees, some as tall as 15-story buildings, from communities along the Georgian coast.
In Adios Amor, the discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother driven to speak out by her twelve children’s hunger.
Nick and Michi roam the streets and meadows of their neighbourhood inseparably, but when Michi surprises Nick with unexpected news, they try to suppress it in their own way.
A radio show by Count Slashula at 'Slash FM', on a Halloween Night, will be presenting and warning viewers about the creepy stories they are about to watch, involving death, blood and some laughs.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
He is a sensitive boy who represses his true personality. After experiencing traumatic experiences, our protagonist begins to open to the world on a journey that made him the person who is.
A grandson lives with his grandparents, taking care of housework and the old marriage. On a very special day for the granny, it will be shown why the unpredictability of an event gives a new value to the young man´s presence in the house.
Alberto, a collective taxi driver, observes through the lives that pass through his car, the beauty hidden in the decadence of the oil city where he works.
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