Three short stories linked by a stray cat that roams from one tale to the next, in this creepy triptych that begins as Dick tries to quit smoking by any means necessary.
Excerpts from an unfinished 1976 zombie-western anthology film by Wes Craven, in the style popularized by Amicus films, which were given an official home video release with The Last House on the Left, and placed in sections of an American version of the Italian film, Zombi Holocaust.
When the app is launched, a ghost appears. Developed by four young adults, the app becomes the centerpiece of a livestream where they venture into a supposedly haunted mountain to prove its authenticity—only to meet a grim fate.
As the streets of Los Angeles overflow with camera-wielding gawkers seeking to capture images of a bizarre police pursuit, the same people who sought to exploit the suffering of others for amusement on the Internet become the stars of a gruesome viral video from which no one gets out alive.
The Void is a multi volume anthology series featuring some of the best award winning short films from the Horror, Suspense, Thriller, Sci-Fi and Fantasy genres, Including: Dystopia St.
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After more than thirty years of service as one of the Navy’s top aviators, and dodging the advancement in rank that would ground him, Pete “Maverick” Mitchell finds himself training a detachment of TOP GUN graduates for a specialized mission the likes of which no living pilot has ever seen.
After the raging fire, landmarks are rediscovered, artificial frontiers carved into the earth. They are stones founded in history by almost extinct ways of doing, where word is law.
Nick and Michi roam the streets and meadows of their neighbourhood inseparably, but when Michi surprises Nick with unexpected news, they try to suppress it in their own way.
A young woman guides a man through a mysterious forest. In his eyes, everything seems normal, until he comes across two women waiting for him in a macabre ritual.
Two actresses see each other again at the premiere of a new stageplay after a sensual summer. The encounter is hopeful for one of them, less pleasant for the other.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
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