An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
The last years have seen a steep rise in the number of Arabs signing up to Israel's army. Considered traitors by many in the Arab community, what drives these young men to fight for a country traditionally in conflict with Arab interests? Does this provide a path for Israeli/Arab integration? In this insightful doc, we follow the first Arab battalion fighting for Israel.
The inside story of the bitter clash between President Obama and Israeli Prime Minister Netanyahu. Amid violence in the Middle East, the film traces Netanyahu's rise to power and his high-stakes fight with the president over Iran's nuclear program.
Andrew Graham-Dixon explores the ancient Christian practice of preserving holy relics and the largely forgotten art form that went with it, the reliquary.
In Adios Amor, the discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother driven to speak out by her twelve children’s hunger.
An intimate insider’s journey to uncover buried truths and explore how the community in Monroe, Georgia has been impacted by the 1946 quadruple lynching and decades of racial injustice, shattering a code of silence that has distanced neighbor from neighbor for generations.
Two actresses see each other again at the premiere of a new stageplay after a sensual summer. The encounter is hopeful for one of them, less pleasant for the other.
Queen Ramonda, Shuri, M’Baku, Okoye and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s death.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
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Have you watched The Holy Land yet? What did you think about it?