Wangala is a short documentary about women's resistance to the Moroccan occupation. Samira was born in the camps, in the middle of the desert, the only place that was given to them after the arrival of the invader. Through the concepts of torture, refuge and exile, we try to create a mosaic of experiences that explain the current situation of Sahrawi refugees in the camps, in exile and in the occupied territory.
Watch the official Wangala 2022 trailer in HD below.
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Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.
Gdańsk, Poland, September 1980. Lech Wałęsa and other Lenin shipyard workers found Solidarność (Solidarity), the first independent trade union behind the Iron Curtain.
Part travelogue and part sensitive investigation, the movie tells the universal story of people who refuse to be erased, reminding us that defending the Earth means defending life.
After 11 strangers unite to help a gay youth escape life-threatening violence in Uganda, the unexpected pandemic and conflicting opinions over his best interests test the limits of their commitment and jeopardize his fresh start in Canada.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families.
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After the raging fire, landmarks are rediscovered, artificial frontiers carved into the earth. They are stones founded in history by almost extinct ways of doing, where word is law.
A radio show by Count Slashula at 'Slash FM', on a Halloween Night, will be presenting and warning viewers about the creepy stories they are about to watch, involving death, blood and some laughs.
Alberto, a collective taxi driver, observes through the lives that pass through his car, the beauty hidden in the decadence of the oil city where he works.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze.
