A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.
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Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface.
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.
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Political engagement spawned the wildest of wonderlands for Hong Kong’s creativity – but as a new law annihilates freedom of expression overnight, underground artists and creatives find themselves targets, and their works disappeared.
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