For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
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A family tribe of Cro-Magnons faces hardships, such as hunger, animal attacks, Neanderthal attacks, and death from injuries as they migrate to find a more bountiful land to live on.
In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents.
The film explores the reasons for emigrating from Italy and describes the feeling of being a stranger in one's own country after many years in Switzerland.
Five women, members of the Sans Papiers, talk about the history and reasons for founding the organisation, as well as their most important demands, like getting permits of residence for refugee women so they don't depend on their husbands' status.
Investigative journalist Rae de Leon travels nationwide to uncover and examine a shocking pattern: Young women tell the police they’ve been sexually assaulted, but instead of finding justice, they’re charged with the crime of making a false report, arrested, and even imprisoned by the system they believed would protect them.
Natalia, the owner of a restaurant on the island of Aruba, struggles to keep her business afloat while dealing with the daily struggles of the hospitality industry on a tropical paradise.
In a big abandoned house on a barren hill lives a skull. A brave girl named Otilla has escaped from terrible danger and run away, and when she finds herself lost in the dark forest, the lonely house beckons.
After his shot at a record deal falls through, Jun transfers to sleepy Nagoya and begins busking songs by his favourite 1970s glam rock band, Exne Kedy.