After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV.
A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik.
A mixture of a time travel, a documentary, artistic and performative record of the director's subjective view of the places, people and moments he spent from 2015 to 2018.
The amplitude of time recollected. A hasty communion with rapidly desiccating memory, a blend of film and digitalia in which the shapes of living things are made to resemble mere scratches and scrawlings on the face of the void.
"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them.
After his shot at a record deal falls through, Jun transfers to sleepy Nagoya and begins busking songs by his favourite 1970s glam rock band, Exne Kedy.
In a big abandoned house on a barren hill lives a skull. A brave girl named Otilla has escaped from terrible danger and run away, and when she finds herself lost in the dark forest, the lonely house beckons.