Claude Gosselin, founder and executive director of Les Cent jours d’art contemporain de Montréal (Montreal’s 100 Days of Contemporary Art) and La Biennale de Montréal (Montreal Biennial), passionately recounts the origins of these events, which are held in unusual and unconventional venues. He explains how these events have enabled more than a hundred curators to imagine exhibitions that are prestigious both in terms of museology and the artistic issues of the day. An essential journey through our national history of contemporary art.
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