GOOD is about life. About beginnings and endings. Love, distance, time, and transformation. Simple, emotional, and full of symbols we all carry with us. We shot one month after my father passed away. That’s also where the biblical imagery comes from – I think a lot of my emotions found their way into it.
Watch the official GOOD 2025 trailer in HD below.
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Tyrannical demon Hiranyakashyap challenges Vishnu, proclaiming himself a god. However, his son Prahlad remains devoted to Vishnu, who appears as Narsimha to defeat the demon.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV.
An examination of how Africa's mythological stories have served as the basis for the world religions that came after, especially in Western civilization.
Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
It’s often a sense of shakiness which emerges in seeking affordable rent. Furthermore, leasing a real estate in the time of Covid it’s an enough though enterprise due to the different restrictions in moving freely and without any fear even visiting the venue, still not to mention the angst before the future that a change in life like a relocation involves so that everything starts spinning around.
In the shadows of persecution in modern-day Iran, Layla, a determined young Bahá’í woman, and Sasan, a secular Muslim doctor, fall in love against all odds— risking imprisonment, betrayal, and heartbreak as they fight to define their truth in a society that forbids it.
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities.
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