Two narrative and aesthetic levels—a stylized studio room with a horror vibe that the fictional Nora can't leave, and a voyeuristic handheld camera recording a nervous girl in a real setting—connect the main character's body and experience with sexualized violence. A variation on Ibsen's woman, whose story is taken over and rewritten by a man, creates a counterpoint to the image of the contemporary heroine, who speaks for herself falteringly and painfully and refuses to be silenced.
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