The first film of the trilogy “discommunication” introduces the viewer to the narrative methods and film language on which the following films will be based. In a short essayistic form, images appear that are redefined when they come into contact with the text. The impossibility to speak, to agree, to understand oneself or someone else generates reactions for which the existing language is insufficient to describe. In trying to express this “intralinguistic transgression” on the screen, one must inevitably resort to abstraction. The transition from the object world to the non-object world seems to me to be one of the few ways to come closer to conveying these states.
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Plagued by a violent recurring nightmare, college student Stefanie heads home to track down the one person who might be able to break the cycle and save her family from the grisly demise that inevitably awaits them all.
Will Radford is a top analyst for Homeland Security who tracks potential threats through a mass surveillance program, until one day an attack by an unknown entity leads him to question whether the government is hiding something from him.
A grandfather`s unwavering determination to take the SPM examination in memory of his deceased grandchild, who tragically passed away before he could sit for his own exam.
Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.
Ryan Garner heads back down south for a European super featherweight title collision with the unbeaten Spaniard Salvador Jimenez on at the Bournemouth International Centre.
Alisa moves into a spacious apartment in St. Petersburg, where the mirror starts to malfunction, showing the young lodger a parallel reality of the same apartment.
