"Stitched with history. Worn by struggle"19 October 2025Factual15 mins
In the narrow streets of Marikina City, where the sound of hammers once echoed endlessly, Soles of Marikina unfolds as a cinematic portrait of craft, struggle, and survival. The film follows aging shoemakers and young apprentices as they work by hand—cutting leather, shaping soles, stitching stories into every pair—while fighting to keep an industry alive in a rapidly changing world.
Watch the official Yapak de Mano 2025 trailer in HD below.
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Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter.
Caroline Darian, Gisèle Pelicot's daughter, looks back on the tragedy that shook her family: for ten years, her father drugged her mother to subject her to rapes committed by strangers recruited on the Internet.
This film is part of a project that has listened to over 40,000 people on masculinity issues and has resulted in a documentary and a tool book based on this publicly available study through an agreement with the Social Information Consortium (CIS) of the University of São Paulo.
Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction).
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.
Tímamót, or Changes in English. An upbeat, heartwarming story about Gudjon, Sigurbjorn and Steinthor who lived together for decades along with several other inhabitants in the Tjaldanes Institution, in a peaceful valley close to Reykjavik.
In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe.
Ivory Coast, the Democratic Republic of Congo, and Senegal – when it comes to love and sex, these African countries are caught between tradition and modernity.
The film explores the potential for automation in every sector of employment and questions the integrity of our methods of resource distribution going into the future.
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