An examination of how large language models and generative AI may create algorithmic narratives, recontextualizing a line from Marguerite Duras’s screenplay for Hiroshima mon amour (1959): “You didn’t see the hospital in Hiroshima.”
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Will Radford is a top analyst for Homeland Security who tracks potential threats through a mass surveillance program, until one day an attack by an unknown entity leads him to question whether the government is hiding something from him.
Plagued by a violent recurring nightmare, college student Stefanie heads home to track down the one person who might be able to break the cycle and save her family from the grisly demise that inevitably awaits them all.
Alisa moves into a spacious apartment in St. Petersburg, where the mirror starts to malfunction, showing the young lodger a parallel reality of the same apartment.
When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.