Venus Boyz TrailerDandy Dust TrailerSt. Pelagius the Penitent Trailer
Hans Scheirl (born 1956) is a trans artist and filmmaker from Salzburg, Austria. Scheirl's films use "the cinematic apparatus as a technology for perverting representation". He outlines his work as "cyber-cinema for the trans-X patriarchal fin-de-millenium."
Total trailers found: 25
04 July 2002
This intimate look into the real world of drag kings -- women exploring their masculinity -- crosses continents, traveling through drag king nightclubs from New York to London.
01 January 1985
Bodies and fluids, bodily fluids and fluid bodies.
01 January 1984
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.
07 March 1995
These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality.
01 January 1989
A possible staging of spaces; artificial places, in which the laws—of physical, social or cultural origins—are expanded, changed, ignored, perverted or transformed.
01 January 1985
A filmic homage to Gertrude Stein's "Tender Buttons": Everyday objects and especially house plants are imbued with cubist dimensions – everything moves, everything is alive.
01 March 1984
Pürrer and Scheirl as naughty Easter bunnies create their own visual rhyme on Easter: Catholic excess and Christ kitsch become drowned out by undulating sounds and shimmering foil.
01 January 1985
The plant is padded and bounces, the heart is padded and drops. Objects fill the lead roles: swaying plants with succulent leaves; and vases, tall and lean like the torsos of young women.
14 August 1998
Dust, a split-personality cyborg of fluid gender, zooms through time and space in search of their own memories and a sense of understanding.
19 October 1989
In a black-and-white comic format three characters are tossed from life into death and back again into life.
01 January 1997
Whimsical and thought-provoking, this is the story of five friends, each on a unique gender adventure, and one of their long-lost ancestors, a medieval saint.
01 January 2024
Two nude, female-presenting figures perform a minimal waltz to Strauss’s “The Blue Danube” on a stage resembling a variety show set.
19 June 1992
In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.
01 January 1984
These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality.
01 January 1985
Lunatics in the subway Take a break at the diner Goggles seen from near Astrid is very seductive )
09 May 1986
These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality.
01 January 1984
Two bed frames pushed together are traced from bottom to top by the camera and pass over to Scheirl in a suit, panning over her.
01 January 1985
In Rhubarb and Sugar, Pürrer plays with rhubarb stalks, which in her hands and mouth are transformed into antennae, ears, and a tail.
01 January 1986
Test images Amusement park, searchlight, precise displacements THE ROLLING FIELD: simulation of the open-air cinema, flying object on the runway Projection onto concrete objects, "disturbed colors" Construction site H-Gate: The H-PROFILE and THE U-PROFILE Maximum permissible total load: "Projection table on meadow, flying piece of grass, switching point pool" Short, dynamic partial films.
01 January 1984
Scheirl’s body, with brightly painted genitals and harshly lit face, is portrayed in fragments by the camera; Pürrer is also naked.
01 January 1985
Between the “red cuts” are dynamic images of Pürrer and Scheirl, some filmed from a screen, often against a red background or completely in red.
01 January 1984
The film is made up of sequences filmed from the television screen, such as advertisements and excerpts from the show “Aktenzeichen XY” (“File No.
01 January 1984
In front of the mirrored glass facades of the empty, newly built University of Economics and Business, Scheirl, Pürrer, Bauer, and Jurtschitsch perform and repeat film takes.
01 January 1984
Night-Poster-Subway shows shots of modern urban life at high speed, accompanied by music from Circle X.
01 January 1985
The film is a garden full of flowers and plant leaves. They’re placed in the mouth and down inside the dress neckline; they’re danced with and set in motion.
