Alain Folgoas Trailers
J.S. Bach: The Music, The Life, The Legend TrailerTangos, the Exile of Gardel TrailerLiberté, égalité, choucroute Trailer
J.S. Bach: The Music, The Life, The Legend TrailerTangos, the Exile of Gardel TrailerLiberté, égalité, choucroute Trailer
Total trailers found: 10
23 January 1974
A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.
14 June 1968
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
11 January 1973
On the Côte d'Azur, a rich man wins a large sum of money playing at the casino. As he leaves the establishment, he is assaulted and knocked unconscious, his loot stolen.
07 May 1971
A judge investigating police corruption finds that the deeper he digs, the more roadblocks he finds.
29 January 1975
A disturbed young woman is kept prisoner in a castle by her aunt for her money. The game-keeper, her guardian, tries to rape her but she escapes.
20 August 1969
An aging gay couple owns a barber shop in the East End of London. One of them is a part-time actor about to go on trial for propositioning a police officer.
06 November 1985
Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.
12 November 1968
Sickened to see his students always sleeping in class, a teacher with a colleague and an anarchist start a war against the television.
30 April 1985
A parody of the French Revolution, on Arabian Nights background. Bagdad Calif is in Paris in 1789, where he decides to visit the Executionner equipment exhibition.
13 August 2003
A dramatic exploration of the life and struggles of the great composer, J.S. Bach, from his orphaning at the age of nine, through his struggles for the freedom to compose music in a restrictive society, to his eventual recognition after death.