Amos Guttman Trailers
Taboo: Amos Guttman TrailerAmos Guttman: Filmmaker Trailer
Amos Guttman (Hebrew: עמוס גוטמן; May 10, 1954 – February 16, 1993) was an Israeli film director, born in Romania. He directed the first ever Israeli LGBT-themed film and most of his films were based on events that happened in his own personal life.
Most Popular Amos Guttman Trailers
Total trailers found: 10
29 March 1985
After the death of their mother, Thomas and his sister Mariana leave their hometown for a brighter future in the city.
09 September 1992
A drama about two families, each with a gay son. Jonathan is splitting from Miki because the more experienced Miki is playing around.
01 January 1976
Amos Guttman's short film follows one evening in the life of a boy who works in a puppet theater. The film, which blends reality with imagination and materialization and hallucination, describes the preparations for the premiere that will take place the day to come, the boy's connections with those around him, his loneliness and his dreams.
01 October 1982
Robi is a young Israeli who lives his grandparents and works at their store. He dreams of finding true love and becoming a movie director, both of which seem increasingly difficult.
09 September 1988
Adapted from Yoram Kaniuk's best-selling novel, this heart-rending love story unfolds during the siege of Jerusalem in 1948.
01 January 1976
Guttman's best short film, Afflicted tells the story of a young, closeted Israeli man who visits a drag bar one night in search of sexual expression.
26 November 1977
Discovering casual sex in a cinema, a high-school student must reevaluate his own gay sexuality.
25 January 2024
While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment.
01 January 1997
From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life.
08 June 1978
"Fabric Stories", discovered in the Channel 1 archive, provides a snapshot of Israeli fashion — but more than that, it reveals the formative struggles of one of the most important filmmakers to emerge in Israeli cinema.