Andrés Farías

Andrés Farías Trailers

Melodrama TrailerCandela TrailerCocote Trailer

Andrés Farías is a filmmaker from the Dominican Republic. In 2014 he won the Patricia Phelps de Cisneros Collection Award for his video installation Honey Pot. In 2015, he was selected for the Emerging Leaders of the Americas Program (ELAP) for his research project on the representation of the Caribbean Women in Film. In 2018 he shot his first feature film "Candela" (Currently in Post) supported by the Sundance Institute and La Fabrique des cinémas du Monde of the French Institute.

Most Popular Andrés Farías Trailers

Total trailers found: 7

Melodrama Trailer (2026)

29 May 2026

After her husband’s death, Sonia is forced to shrink her life, trading her sprawling family home for a cramped, unfamiliar apartment.

The Good Things Trailer (2013)

09 August 2013

Romelia tells the melodrama of his own story of heartbreak through the interpretation of the main characters who were part of her love story.

Honey Pot Trailer (2013)

02 August 2013

Honey Pot is a Video-installation that uses the image as a critical vehicle that puts into question the path we have chosen as a insular caribbean society in the twenty-first century, through the juxtaposition of fragmented images of the city, the countryside and the individual.

Cocote Trailer (2017)

21 August 2017

A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral.

Candela Trailer (2021)

16 September 2021

The lives of three strangers in Santo Domingo, a girl from high society, a lonesome alcoholic cop and a drag queen cabaret performer; intertwine on the eve of a hurricane following the murder of a young poet and drug dealer.

Tiznao Trailer (2016)

01 January 2016

Under the threat of a hurricane pending over the city, Lubrini is looking for his lover, who disappeared in the streets of Havana.

Roll Out Trailer (2014)

15 July 2014

After not being recognized by an actress with whom he worked twenty years ago, a projectionist films himself and introduces himself into a film to revive the past.