António Palolo Trailers
A. Palolo: Ver o Pensamento a Correr TrailerPalolo, Coisa de Pintar Trailer
Total trailers found: 14
01 July 1995
The film's starting point was an exhibit at the Centre of Modern Art (Gulbenkian) in Lisbon. By evoking a time in the past and the adventures of the artist's generation, Silva Melo is able to depict the oeuvre and the artistic persona of António Palolo.
01 January 1978
A mysterious genesis, in which abstract thought is constantly transformed into concrete substance, and the microscopic level of things interchanges with the macroscopic representation of the universe.
01 June 1971
“In Drawings/Lines, 1971, on top of previously printed film—was he just recycling material or was he deliberately experimenting with a new technique?—Palolo scratched lines directly on the celluloid, imprinting on it a choreography of rhythms and lights.
01 November 1972
In the films Untitled (#6), Untitled (#7) (both 1972–6) and Untitled (#8) (1976–7) images of cells mix with galaxies, underlining the circular shape as a crucial element of Palolo’s work.
01 January 1969
António Palolo's first films playfully recombine body parts cut out from magazines that Palolo placed in motion with geometrical shapes.
01 April 1972
This film expands this approach to composition by adding an abstract layer of matter to the more representational experiments.
01 January 1976
In the films Untitled (#6), Untitled (#7) (both 1972–6) and Untitled (#8) (1976–7) images of cells mix with galaxies, underlining the circular shape as a crucial element of Palolo’s work.
01 June 1968
António Palolo's first films, shot in 8 mm, are black-and-white animations, constructed according to a cut-and-paste methodology and associating, with great sense of humour, images taken from magazines with geometric elements.
01 January 1968
António Palolo's first films, shot in 8 mm, are black-and-white animations, constructed according to a cut-and-paste methodology and associating, with great sense of humour, images taken from magazines with geometric elements.
09 April 1976
Manipulating the way the camera captures light and the use of filters, this film configures a kaleidoscope of abstract lights of different colours, reflections, fragmented irises, peepholes, circular forms, flashes of lights in the dark punctuated by images of almost white skies.