Artavazd Peleshian Trailers
"I Will Revenge This World With Love" - S. Paradjanov TrailerThe Silence of Pelešjan TrailerParadjanov, le dernier collage Trailer
Creator of the "distange montage," Artavazd Peleshian, one of the key Soviet documentarians, removed the boundaries of feature and documentary films, editing both sequences as a real poetical unity. His "distange montage" was a new step in the development of film editing. Even his student works (The Earth of the People 1966 and the Beginning 1967) shot at VGIK, the oldest film school in Moscow, Russia, were awarded numerous prizes and he gained recognition among filmmakers. Alongside his very successful solo career, Peleshian was invited to direct archive footage by such masters as Lev Kulidzhanov for Zvyozdnaya minuta (1972) and Andrey Konchalovskiy for Siberiada (1979). Mikhail Vartanov directed Osennyaya pastoral (1971) from Peleshian's screenplay. Artavazd Peleshian is the author of a range of theoretical works, including his 1988 book "Moyo kino" ("My Cinema"). Some of the most important works of Armenia's documentary cinema include Sergei Parajanov's Hakob Hovnatanyan (1967), Mikhail Vartanov's Parajanov: The Last Spring (1992) and Artavazd Peleshian's Vremena goda (1975).
Most Popular Artavazd Peleshian Trailers
Total trailers found: 17
29 May 2019
While it was long thought that his filmography had concluded with the film Life in 1993, Peleshian has now returned with a new film, simply titled La Nature, through which he once again observes the delicate cohabitation of human communities with their environment.
14 September 1969
The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd.
12 April 1974
A film from which you can learn about the first progress of the USSR in space exploration, as well as about the achievements of Yuri Gagarin, the world famous first cosmonaut, who was the very first to conquer the depths of space.
05 September 2011
A documentary about the Armenian avant-garde filmmaker, Artavazd Pelešjan.
28 November 1979
The story about a very small god-forgotten village in Siberia reflects the history of Russia from the beginning of the century till the early 1980s.
01 April 1983
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama.
01 December 1984
The film tells about the most significant church holidays and religious rites.
01 January 1975
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
01 February 1967
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
30 November 1994
Poetic essay about the beginning of life from labor pains and birth and about its symbolic meaning.
28 August 2024
The author of the film decides to leave the country where she lives, in connection with the outbreak of the dramatic events, and return home to Armenia in search of a worthy example and solutions on how to live on.
04 January 1970
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter).
31 May 1964
Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences.
01 January 1995
Parajanov lifts the curtain on numerous unfinished scenes and fragments of unshot films. These are memories of his childhood, death, friends, Tiflis, Kyiv, Yerevan.
01 February 1969
Monumental picture exploring the identity and fate of the Armenian nation.
04 January 1966
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work.
01 January 1992
Peleshian transforms footage from a train ride into a metaphor for the shape of a life. Early images of faces on the train give way to landscape, a journey through a black tunnel, and a final emergence into pure white light.
