Barry Gerson Trailers
Don Barry: A Quixotic Exploration Trailer‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen Trailer
Don Barry: A Quixotic Exploration Trailer‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen Trailer
Total trailers found: 37
24 November 2024
Amid Guanajuato's vibrant streets, an aging filmmaker becomes a modern Don Quixote, joined by a spirited young animator as his loyal Sanchia.
11 October 1970
"Endurance/Rememberance/Metamorphosis is a film composed of three parts of equal duration. Each part consists of a single shot of a minimal space.
05 November 1974
Various unrelated vignettes, often juxtaposing sound and image.
01 January 1968
"I would like to say something else in relation to the Automatic Free Form Film movement. The camera was constantly moving.
30 March 1971
“Since all matter in the Universe pulsates rhythmically, it is therefore , in constant motion. My film/videos become an activated metaphor to elucidate this phenomenon .
15 June 1982
"Two visions of the world being viewed simultaneously." - Barry Gerson Poetic structure created through masking out of two separate images juxtaposing opposite motions, resulting in two visions of the world being viewed simultaneously.
05 May 1975
"Oblique mattes, instead of blocking the vision, accentuate our ability to see and appreciate details, narrowing and expanding the focus of our attention, rendering symmetry and simplicity simply unbalanced.
05 August 1969
GROUP II: WATER (1969, 4 min, 16mm, silent) Two images of a lapping water level, used at the beginning and end of the film, counterpointing the middle section consisting of flying through clouds and mist.
01 January 1979
Evocations of a space in the mind – limitless, soundless. Blackness punctuated by bursting water bubbles ascending and descending into the unknown.
01 January 1973
A confined space alive and teeming with energy – shapes merge forming new shapes.
30 March 1972
GROUP VII: PORTRAIT OF DIANA (1970, 4 min, 16mm, silent) PORTRAIT OF ANDREW NOREN (1972, 4 min, 16mm, silent) These films are personal light portraits.
13 November 1964
With light-drenched visuals illuminating a screenplay of "dialogue and poetry," filmmaker Gerson made this short B&W experimental feature about a man who confronts the meaning of existence in a variety of cityscapes.
30 March 1980
“Since all matter in the Universe pulsates rhythmically, it is therefore , in constant motion. My film/videos become an activated metaphor to elucidate this phenomenon .
01 January 1969
[D]ynamic shapes emitting energy from the living forms created by subtle camera movements combined with compositional awareness.
01 January 2002
An elegant study of light, color, geometry, and perspective.
30 March 1970
SUNLIGHT (1970, 4 min, 16mm, silent) Sunlight patterns on a window in constant change through subtle camera swings – the motions repeated giving the light a fluid quality.
01 January 1975
The film is in three sections each dealing with a different manifestation of the relationships between colors and shapes and their effect on our perception of movement through light.
30 March 1970
GROUP IV: BEADED LIGHT (1970, 4 min, 16mm, silent) “In BEADED LIGHT, Gerson applies an ambiguous procedure to our perception of color and light.
01 January 1973
Exploration of the possibilities of light – ephemeral, dazzling, ravishing. Its flames and explosions, its swirls and glimmer, its interactions with matter and celluloid.
05 August 1969
GROUP I: GRASS (1969, 1 min, 16mm, silent) Grass to reeds to sky – the gradual melting of grass image to become the blue of the sky.