Bernd Upnmoor Trailers
Werner Nekes - Life Between the Pictures TrailerThe Critical Mass TrailerHurrycan Trailer
Werner Nekes - Life Between the Pictures TrailerThe Critical Mass TrailerHurrycan Trailer
Total trailers found: 22
01 September 1971
It is love at first sight: elderly secretary Luzi and young, unemployed Dietmar find each other by accident in Rosa von Praunheim’s outrageous genre, social satire.
18 June 1982
Director Werner Nekes has created this experimental film in the mode of James Joyce's Ulysses to the extent that human interactions are represented by poetic, symbolic images and language, with a certain amount of nudity added in.
01 January 1996
The film traces the history of the camera obscura, the understanding of perspective and anamorphosis, peepshows and it shows the beauty of historical shadowtheaters and shadow toys.
01 January 1996
The history of the magic lantern with demonstrations of moving slides, watertank or polarisation slides, followed by images on paper, which are brought to life with mechanical manipulations, with light shining through them or as panorama.
01 January 1996
Other essential predecessors of film were those devices that created the illusion of motion by taking advantage of the persistence of vision and the stroboscopic effect, such as the thaumatrope, phenakistoscope or wheel of life, zoetrope or magic drum and praxinoscope and later on, the more sophisticated flip-books such as the kinora and mutoscope.
16 September 1970
A film director's personal ad, seeking a woman who is also a filmmaker.
01 January 1996
The film looks at ways of creating spezial illusions through amiguous images, perspective theatres, folding peepshows and from the 19th century, the stereoscope, which look forward to today’s holography.
23 October 1986
Jurgen is an unknown electrician with a dream of pop stardom. His mother browbeats him into fame, while two managers compete for his contract.
09 November 2017
In conversations with his friends and colleagues, among them Bernd Upnmoor, Helmut Herbst, Alexander Kluge, Klaus Wyborny, Daniel Kothenschulte and Helge Schneider, Ulrike Pfeiffer takes us on a journey into the broad expanse of Nekes' cabinet of wonder and his cinematic works.
02 April 1977
An experimental film about the interpenetration of various levels of communication, dealing with the relationship of the pictorial functions to those of sound (direct sound).
28 February 1979
Hurrycan has nothing to do with whirlwinds, although in this Nekes film the pictures journey across the screen, excitedly, spasmodically and flickering.
10 December 1975
In this sequel to Die Bettwurst, Dietmar and Luzi are a somewhat unorthodox couple, who live and fight with tremendous enthusiasm.
26 March 1987
An exhilarating and amusing encyclopedic look at the "prehistory" of cinema. Werner Nekes charts the fascination with moving pictures which led to the birth of film, covering shadow plays, peep shows, flip books, flicks, magic lanterns, lithopanes, panoramic, scrolls, colorful forms of early animation, and numerous other historical artiffices.
01 July 1999
A documentary about the 'critical mass', the Film Coop, a group of young filmmakers in Hamburg during the 1960s - a small group far from the Mainstream or the New German Cinema.
21 April 2004
A group of indispensable works in the Ruhr area on the development of a solar power plant. At first she only finds attention through a former KGB agent who believes that the struggle of the political systems is further fought in the hidden.
01 January 1973
The great, increasing intensity of the film results from an interaction of the actress and camera not yet attempted in this way.
01 January 1970
This film subtly contrasts banal reality with parody, using technical film techniques like time lapse and color filtering to parallel a home theater screening with a seduction scene.
25 April 1985
A landscape is filmed with a single-frame camera 48 hours from a point of view.
23 April 1980
Bernd Upnmoor's Dom the title refers to the famous funfair at Hamburg - varies an increasingly meaningless shot of a few minutes on a carousel by exploring all the possibilities of colour film techniques and succeeds (in Upnmoor's words) in "making the viewers' senses tremble and flutter.