Besim Sahatçiu

Besim Sahatçiu Trailers

Three People Overpass the Mountain TrailerThe Swelling River TrailerThe Oak and the Tree Trailer

Besim Sahatçiu was a Kosovo-Albanian director of theatre and film. After finishing gymnasium in Pejë, Sahatçiu studied literature at the University of Belgrade. Following the interruption of his studies due to compulsory military service, he worked as a translator for the publisher, Rilindja. He later studied at the Academy of Dramatic Art in Zagreb, Croatia, and defended his thesis with staging Gogol's satirical play, The Government Inspector, at People's Provincial Theatre in Pristina. Sahatçiu's ethnographic film, 117, won the Grand Prix at the Belgrade Documentary and Short Film Festival in 1978. The film was described as a “spiritual portrait of the nation.” As a theatre director, Sahatçiu worked at the National Theatre of Kosovo in Pristina. In 2018, Kosovo's Ministry of Culture posthumously honored Sahatçiu with a Lifetime Achievement Award for Cinematography. The same year, a street in Pristina was named after him. In 2021, Posta e Kosovës issued postage stamps in its 'Arti skenik – Besim Sahatçiu dhe Leze Qena' series, commemorating Sahatçiu and Leze Qena.

Most Popular Besim Sahatçiu Trailers

Total trailers found: 5

The Swelling River Trailer (1981)

01 January 1981

In a mining plant in Kosovo, as occurs in many work organizations across the country, workers continue to win new positions in the self-management.

The Oak and the Tree Trailer (1979)

01 January 1979

The story follows the Kosovar partisan hero known as Lisi (Oak), from WWII days, subsequent liberation, until mid-1960s.

The Wrestlers Trailer (1975)

01 January 1975

It documents a traditional event that took place on St. George’s Day in Dragash, Kosovo.

Three People Overpass the Mountain Trailer (1981)

01 January 1981

A small village during World War II. Due to deep poverty, some villagers engage in trade of goods, contraband, across the mountain border.

117 Trailer (1976)

01 January 1976

Shot in the Kosovar village of Nevokaze, it depicts the traditional lifestyle of an Albanian family numbering 117 members, all living under one roof and in great harmony.