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Bette Gordon (born June 22, 1950) is an American filmmaker and professor at Columbia University School of the Arts. She is best known for her films Variety (1983) and Handsome Harry (2009), both of which received critical acclaim in North America and abroad.
Total trailers found: 23
01 January 1977
a time-lapse glimpse of the Madison, WI skyline from dusk to dark. Shot from within a hotel room, the street traffic and the reflected interior interpenetrate in gradually shifting superimposition.
01 January 1976
This recently unearthed and newly digitized work is a richly minimalist, single-camera-setup portrait of the sights and sounds at a late-night diner in Madison, WI.
01 January 1977
A visually stunning kinetic rhythm produced by looped footage (mathematical curves) in and out of phase with each other.
01 January 1980
Bette Gordon describes her first feature film as “a narrative derived from film’s own material and my concern for exploring issues of representation and identification in cinema.
08 June 1976
A single action seen from alternative left and right perspectives, accentuating reversals, repetitions and persistence of vision.
01 October 1974
A narrative film concerning an investigation of two women in time and space, to the point where the investigation becomes the narrative.
19 May 2000
A single mother and her 10-year-old son motor around the country as she makes ends meet and enters various relationships that her son has yet to understand.
08 October 2016
A psychiatrist faces his past, present and future when he finds himself involved in the treatment of a young man recently released from prison for a murder committed when the boy was just 11 years old.
25 April 2009
An ex-Navy man carrying out the last wish of a dying shipmate renews contact with old friends to break the code of silence around a mysterious, long-buried crime.
28 January 2021
A young woman grapples with the aftermath of reporting sexual harassment in the workplace
27 February 1985
A repressed young woman becomes obsessed with pornography and the mysterious rich patrons of the Times Square porn theater where she works selling tickets.
06 April 2011
In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works.
27 January 1992
In NORTH ON EVERS James Benning takes the road movie seriously, making his circular trip across the U.
19 April 1986
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride).
01 January 1974
Intercourse between two people who never appear on the screen at the same time. An exploration of sex and male/female identities.
01 January 1981
The goings-on around a porn theater in New York’s East Village, interspersed with actors recounting experiences with extreme sexualities and a description of a scene from the pre-code Dorothy Arzner film of the same name.
14 March 1977
65 shots making up a cryptically alluded-to narrative: a lesbian couple's Midwest travels, a hitchhiking young man's journeys, the story of a man who may be having an affair.
05 March 1975
A conceptual bicentennial film dealing with spatial and temporal relationships between two travelers, their car, and the geographic, political, and social changes from NY to Los Angeles.
01 January 1979
Exchanges investigates mechanisms by which meaning is produced in film, through the interaction of the process of construction of a text and the social context which determines and is represented by that text.
19 April 1986
Three women have a strange claustraphobic encounter in the ladies lounge of a luxurious manhattan hotel.
01 January 1975
A meditation on the American rustic. Various objects within the composition are re-presented in unnatural colors and unusual spatial arrangements, emphasizing the illusion of movement while exploring film grain and graphic nature.
