Most Popular Candice Breitz Trailers
Total trailers found: 8
Queen (A Portrait of Madonna) Trailer (2005)
29 September 2005
This multichannel video installation features avid Italian Madonna fans performing their way through Madonna’s "Immaculate Collection" album.
Mother Trailer (2005)
29 September 2005
“Are not parents the role models that their children seek to emulate? And is it not the case that the entertainment industry increasingly seeks to usurp the role of parenthood for itself, with young viewers aspiring, more and more, to emulate the role models projected on the silver screen? In encroaching upon the role traditionally played by the parent, the media seeks and increasingly achieves the same effect desired by the parent: the reproduction of its own social values and political consciousness.
Factum Tremblay Trailer (2009)
19 September 2009
Breitz filmed extensive interviews with a set of identical twins and dazzlingly edited the footage together into dual monologues that accentuate and complicate the differences and similarities between them.
Soliloquy (Sharon) Trailer (2000)
29 September 2000
An early meditation on the relationship between celebrity presence and audience response, which belongs to a trilogy of three short films (the other two, also accessible via Vimeo, zoom in on Clint Eastwood and Jack Nicholson).
Whiteface Trailer (2022)
14 June 2022
Over recent years, Breitz has collected and archived a wide range of found footage fragments that document ‘white people talking about race.
Legend (A Portrait of Bob Marley) Trailer (2005)
29 March 2005
The 30-channel installation captures the different attitudes and idiosyncratic performances of Marley fans, allowing Breitz to continue her investigation of the musical interplay of separate videotaped vocalizations, through the watershed Bob Marley album Legend.
TLDR Trailer (2018)
14 June 2018
A portrait of a community of sex workers who live and work in Cape Town
Soliloquy (Clint), 1971-2000 Trailer (2000)
01 January 2000
Breitz’s ‘Soliloquy Trilogy’ (2000), expands her previous investigations of the imaginary relations between the star and the fan.
