Christine Noll Brinckmann Trailers
Empathie und panische Angst TrailerStief TrailerDer Fater Trailer
Empathie und panische Angst TrailerStief TrailerDer Fater Trailer
Total trailers found: 9
01 January 1984
"A film about the fascination of discarded, abandoned household items: it is more suitable than other things for colored compositions, because the picture borders may be as arbitrary as the accidental end position of the garbage.
24 November 1980
A tie or lace? After trying on numerous treasures from New York’s second-hand stores, and extravagant fashion accessories, Karola Gramann decides on a traditional dinner jacket with cummerbund and bow tie.
01 January 1989
"The therapist's voice steps behind the pictures. All this takes place in a narrowly defined pictorial space, in a face, in a few square centimeters of a room wall, in the leaves of a plant, in holding the teacup.
01 January 1988
STIEF is abstractly interested in the energy of color, using flowers and groups of arranged objects as pro-film material.
01 January 1979
"THE WEST VILLAGE MEAT MARKET is an autodidactic debut film documenting a New York neighborhood, a meat market, which combines documentary and metaphorical overtones, as well as exploring certain aspects of the medium of film: in hand camerawork, motionless to moving objects or minimal movements, black and white material to color, flatness to depth effect.
01 January 1983
"A HALF LIFE stands on the threshold between the genres of documentary and experimental film.The film attempts to distill the experience of many years to five minutes, taking stock of the bedroom of an elderly middle-class couple.
01 January 1986
Collage of 30s original black and white films made by the filmmaker's father, and new color films. The intention of the film is to share through the eyes of the girl, the sequences shot by the father, which showed his patriarchal and colonialist point of view, his images of himself and his sexual fantasies.
01 January 1982
"GRÜNSPAN is a film about female sexuality, but it does not develop a program, but tries to capture different, sometimes contradictory attitudes and feelings in their simultaneous existence.