Cordelia Swann Trailers
Deliria TrailerScenes From Freedonia TrailerThe Citadel Trailer
Total trailers found: 8
01 January 1992
‘Once there was a woman who lived alone in a fairly prosperous citadel. If the weather was fine, a rare and precious occurence, she would go out and explore, or she would do the shopping…’ Inspired by the tragedy of Dido and the fall of Carthage, with references to the stoning of Mary Magdalene and the execution of others, The Citadel documents the perceptions, actions and dreams of a woman as she experiences, or rather, doesn’t experience, national and world events.
01 January 1982
"'Passion Triptych' makes use of three different sequences from the then popular television police series 'Hill Street Blues' recorded on VHS tape.
01 January 2004
Looking back at 2003, a year when Britain went to war, we see scenes filmed in central London of public processions, ceremonies and demonstrations.
01 January 1989
A woman dressed in armour sleeps on the floor of a dark, sunlit room. As she sleeps dreams and memoires unravel in her head.
01 January 1986
"Phantoms was a transitional film for Swann in that it marked a watershed between her previous work in tape slide with its basis in the manipulation of secondary or found images to work using footage shot by the film-maker and with a more discernible narrative structure.
29 December 2008
Some years ago a friend’s mother couldn’t remember my name and referred to me as Deliria. One afternoon, years later, the film That Hamilton Woman was broadcast on Channel 4 while the other analogue channels were showing the twin towers being hit – with the result that if you changed the channels (as you did) Vivien Leigh’s ethereal face was intercut with images of the disaster.
01 January 1979
Two people in an impassioned embrace on an ocean pier as Harvey and the Moonglows start singing “The Ten Commandments of Love”.
01 January 1983
"A single shot, taken from Douglas Sirk's film ALL THAT HEAVEN ALLOWS (1955), in which we see the camera pull out from Jane Wyman's tearful face as she looks out of her window at snow falling, is slowed down, repeated and blown up in different permutations on three screens to portray a sense of kitsch or overblown, yet authentic, loss.