Curt Oertel

Most Popular Curt Oertel Trailers

Total trailers found: 11

The Stone Wonders of Naumburg Trailer (1932)

07 October 1932

“A documentary film illustrating and analysing the mediæval architecture and sculpture of the beautiful cathedral of Naumburg in Germany.

The Rider on the White Horse Trailer (1934)

11 January 1934

Freely adapted from Theodor Storm's novella of the same name.

Joyless Street Trailer (1925)

01 March 1925

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

Das Donkosakenlied Trailer (1930)

14 January 1930

Viktor, the son of Prince Gagarin, becomes engaged to the young Natasha, which Governor Malyutov, whose ward he is, does not like at all.

Hoppla, wir leben Trailer (1927)

01 January 1927

Secrets of a Soul Trailer (1926)

12 May 1926

Scientist Martin Fellmann is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife.

One Does Not Play with Love Trailer (1926)

10 November 1926

The film is an adaptation of the 1834 play by Alfred de Musset, On ne badine pas avec l'amour. The film is considered to be a lost film.

The Titan: Story of Michelangelo Trailer (1950)

22 January 1950

The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time.

Der gehorsame Rebell Trailer (1952)

26 July 1952

The film begins dreamily describing the quieter times of the 16th century. The documentary, which was made in the years after World War II, goes on to examine the life and teachings of the reformer Martin Luther.

Pole Poppenspäler Trailer (1935)

14 April 1935

Journeyman craftsman Paul Paulsen is in his third year of traveling and lives far from his North German homeland in a small village in Central Germany.

Michelangelo: Life of a Titan Trailer (1940)

15 March 1940

The life and works of Michelangelo are presented by German actor Mathias Wieman, in the the historical context of the High Renaissance era.