Dan Graham Trailers
Two-Way Mirror Cylinder Inside Cube and a Video Salon TrailerRock My Religion Trailer
Daniel Graham (March 31, 1942 – February 19, 2022) was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.
Most Popular Dan Graham Trailers
Total trailers found: 9
01 January 1984
Rock My Religion is a provocative thesis on the relation between religion and rock music in contemporary culture.
01 January 1975
Using the mirror at the back of the stage as a monitor, Graham voices his unrehearsed observations, activating the various feedback cycles taking place within himself as performer, between the performer and audience, and among audience members.
01 January 2005
Produced by Graham at the Banff Centre in Canada, DEATH BY CHOCOLATE draws on nearly twenty years’ worth of footage shot in the bizarre yet familiar arena of the shopping mall.
01 January 1980
Local TV News Analysis is the document of a collaborative project of Graham and Birnbaum, in which they investigate local television news, both in form and content.
01 January 1969
Partially inspired by James J. Gibson's The Perception of the Visual World (Boston, 1950). Made by aiming a 16mm camera in a slow spiral across the sky.
01 January 1992
This 1992 video highlights Dan Graham's installation Two-Way Mirror Cylinder Inside Cube and a Video Salon, originally created as part of the Rooftop Urban Park Project at the Dia Center for the Arts in 1991.
02 February 1972
This performance, at London's Lisson Gallery, documents Graham's project of psychologically restructuring space and time.
01 January 1971
Two filmmakers stand within a surrounding and completely mirrorized cylinder, body trunk stationary, hands holding and pressing a camera's back end flush to, while slowly rotating it about, the surface cylinder of their individual bodies.
01 January 1983
The function of both popular and underground music in contemporary culture has long been a point of inquiry for Graham in his analyses of the social implications of cultural phenomena.
