Dick Higgins Trailers
Aktionskunst International. Dokumente zum Internationalen Aktionismus TrailerFlux-Concert TrailerDance Trailer
Aktionskunst International. Dokumente zum Internationalen Aktionismus TrailerFlux-Concert TrailerDance Trailer
Total trailers found: 11
19 July 2010
Feature-length compilation program presenting 37 out of 41 original fluxfilms produced and directed in the 1960s by Fluxus artists, including George Maciunas, Nam June Paik, Yoko Ono, Robert Watts, Paul Sharits, et al.
05 November 1969
Featuring home movie footage shot by Higgins and other material derived from his father, MEN & WOMEN & BELLS includes the recurring sound of the bells of Rostov-on-Don in Russia, lending it a mournful quality.
31 March 1989
A comprehensive documentation of new art movements from 1945 to the present day. Beginning with the "Internationale Situationniste," "Cobra," "Spur," and "Wiener Gruppe" groups in Europe, and moving on to the international Happening and Fluxus movements, including the Viennese Actionists, and from 1970 onward to international Body and Performance Art, which also encompassed media art—film and video—the documentary presents film and photographic material from these art movements.
01 January 1966
"Face Smiling. Hammering a brick. CU of an ear (moving?). Face twitching. Dancing on one leg. Rolls, twitches on the floor.
01 January 1966
"INVOCATION is Higgins' Satie movie... the purest attempt to clear art from any or all historical, esthetic, thematic, ornamental claptrap to regain the lost-eye consciousness.
05 November 1969
A double murder is committed–presumably. A sleepwalker is unaware where she is going or what the consequences of her actions are–presumably.
24 March 1979
On March 24, 1979, The Kitchen presented a two-part program dedicated to the work of various Fluxus artists.
02 February 1962
A satire on business. We see a distinguished business man speaking gibberish, telephone ploes being ripped down to make room for beautiful farmlands, prices tumbling.
01 January 1968
The scenario for what might have been quite a beautiful films is projected as a text. In between the blocks of text, two small girls romp, as if from another movie altogether.
01 January 1962
Higgins’s only feature-length film, THE FLAMING CITY, explores the dichotomy between the lifestyle of Higgins and his artist friends in SoHo, which was viewed as a threat to middle class American values, and Higgins’s well-heeled upbringing.
01 January 1969
This film belongs to Higgins' 'hard series', meaning that the formal structure is relatively inflexible.