Most Popular Dominique Willoughby Trailers
Total trailers found: 16
Bal Trailer (1981)
01 January 1981
Bal is a pensive self-portrait by Dominique Willoughby and his most dazzling film. His face in extreme close-up is slightly anamorphosised.
Microbes Trailer (1990)
01 January 1990
16 mm film painted and refilmed on a virtual image bench for the ballet Shazam by the DCA Philippe Decouflé company.
Paris Joints de vue Trailer (2019)
21 September 2019
Part of the Paris Mental larger work in progress : experimental cinematographic visions of the city of Paris.
La perdue Trailer (1975)
15 June 1975
A sequence of non-abstract visual impressions on a theme open to all interpretations.
Masses Turbulentes Trailer (1976)
15 November 1976
Coloured micro-drops sprayed onto transparent film stock, small dots spread at random in a space indifferent to the filmstrip's division into frames.
Nineteenth-Century Stroboscopic Discs (1831–1882) Trailer (1999)
17 October 1999
Gruesome grimaces, craftsmen at work, running animals, wild fountains of colours – the “not yet films” from the prehistory of cinema were only sixteen animation images long, but they left people amazed and satisfied the sensation-seekers.
Melba Film Coop Trailer (2019)
27 November 2019
Covers the making of the multicolored magazine for technological arts, Melba, edited by Claudine Eizykman and in which Guy Fihman, Dominique Willoughby, among others, were active participants, with 5 issues published between 1976 and 1979.
Windgarden Trailer (2001)
01 January 2001
The wind in branches and leaves, in the clouds, revealing or masking the sun, affecting a gong, but also the montage, animating a garden.
Labyrinthe N°1 Trailer (2003)
01 January 2003
A stone riddled man moves towards a statue woman, between stone and flesh, earth and sky. Ancient cities, countryside roads unthread and mingle with memories and imagination.
Plongeon Trailer (2005)
01 January 2005
Plongeon ou le Grand Disque is the first film to be made using the 2-metre diameter Large Stroboscopic Disk (LSD), designed by Dominique Willoughby and produced by Achay Doan, which provides a new form of stroboscopic animated painting, a contemporary adaptation of the 19th century stroboscopic disks and phenakistiscopes invented in 1833 by Joseph Plateau and Simon Stampfer.
