Doris Chase Trailers
Full Circle: The Work of Doris Chase TrailerSculpture on the Move Trailer
Total trailers found: 29
01 January 1981
Multiple overlapping images combine with still-frames of an amorous Puerto Rican filmmaker's telephone conversation with a repairman, coincidentally also interested in film.
01 January 1974
A documentary displaying the use of a set of SCULPTURE FOR CHILDREN in a New York City classroom. Children ages six to nine years were filmed while playing and learning.
01 January 1973
A documentary about the artist: working in a steel plant, boat yard, pattern shop, studio. Sculpture and the philosophy behind it; theatre pieces, etc.
01 January 1973
An abstract computer-generated film. The image is of squares revolving in space around and through each other.
11 August 1991
Part of the By Herself series of individual dramas created for Channel 4, A dancer explores the emotional moment when two former lovers, separated by their profession, meet again.
01 January 1974
A dance film, one of a series of three, based on the kinetic sculpture designed by Doris Chase for ballet and commissioned by the Seattle Opera Company.
01 January 1974
A dance film based on kinetic sculpture and employing the Mary Stanton Dance Ensemble. Through the kinetic sculptures, made specifically for the choreographer, move dancers each appearing in separate monochromatic images of cyan, yellow and magenta.
04 April 1971
Music by Morton Subotnik. "A computer-generated abstract film produced by the world-famous sculptress, with original music by a leading contemporary composer.
01 January 1993
"It's an experience a bit like peering through uncurtained windows at dusk. Chase puts this personal account together, not of fame or fortunes made or missed in the Chelsea, but of how creative people live together.
01 January 1975
Features a duet of sorts between Cynthia Anderson and specially processed images of herself. Similar in technique and intention to DANCE SEVEN, this film is in some ways more lyrical and languorous than the former, emphasizing the overall shaping of the body in dance, rather than isolated movement details such as the virtuoso footwork.
01 January 1976
While related in technique and effect to its predecessor DANCE NINE, it serves as more of a summation of Doris Chase's varied involvements with dance and the arts.
01 January 1978
The human form is used in composition with geometric form in an exploration toward a third dimension through juxtaposition of color and line.
01 September 1981
Set to an Albinoni score, Chase hypnotically manipulates line and block patterns.
01 January 1974
A documentary focusing on Doris Chase's creative process. A pioneering filmmaker of expanded cinema and early computer technology.
01 January 1975
A videotape-to-film transfer based on the solo dancing of Marnee Morris, of the New York City Ballet.
01 January 1977
Music by George Kleinsinger. Choreographer Kei Takei structured the dance on a theme from "light Part Nine.
01 January 1976
The graphic image of one of the "Chase Kinetic Sculptures for Dance" was synthesized with the assistance of Steve Rutt.
01 September 1981
Chase's frenzied line manipulation creates dazzling patterns. With music by Gwen Watson.
01 January 1977
A video animation "commercial" on body movement and self awareness. Charming musical score of George Kleinsinger gives a "sing-along" pattern for dancers Lloyd Ritter and Kei Takei.
01 January 1975
A sophisticated example of the creative possibilities of videodance. This truly collaborative work is based on an idea developed out of Doris Chase's earlier films of dance with sculpture.
01 January 1977
A duet of Jonathan Hollander, choreographer-dancer, and a video synthesized image of one of the "Chase Kinetic Sculptures for Dance.
01 September 1981
Chase fuses undulating lines with undulating an disco sound.
01 January 1972
A dance film that explores new dimensions in color and space. The film develops like a fugue, with dancers (and giant undulating circle) moving through repeated themes and variations; All the while Brown and Olvey's dazzling color and printing effects electrify the viewer.
01 January 1981
Plexi Radar is the act of filming a gyrating motion of a circular plexiglas sculpture, which is then looped by a computer.
01 January 1984
It renders poet Jessica Hagedorn’s views of “some of the harsh and beautiful realities of city living” for women in a man’s world.