Gunnar Meidell Trailers
Detour TrailerSvein and the Rat and the UFO-Mystery TrailerHearts Trailer
Total trailers found: 12
02 June 2007
Svein thinks his grandma's soul is in the process of being swallowed by mysterious aliens, and he mobilizes both his friends and his rat Halvorsen in an attempt to save her.
31 July 2009
Driving back to Norway, Lina and Martin reach a roadblock where a policeman tells them to take a detour deep into the Swedish forest.
11 March 2005
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
10 October 2003
Elling has lived with his mother all his life. Mom is the practical one, while Elling ponders the more theoretical aspects of life.
01 January 1997
This video has won festival prizes in Chicago and Rotterdam and has been declared Norway’s finest video for tourists by “Aftenposten”, one of Norway’s largest newspapers, witch wrote: “The reality of this region, communicated by craftsmen who know what they are going, is by itself fantastic enough.
08 September 2000
Kaisa is a Scot, a successful London lawyer, who snorts coke and has one-night stands with strangers.
16 March 2001
40-year-old Elling, sensitive, would-be poet, is sent to live in a state institution when his mother, who has sheltered him his entire life, dies.
25 January 2002
Meet a group of people who despite age differences and geography have in common that they live in a dying culture: the Norwegian coastal culture.
23 September 2005
Three years have passed since Elling moved to town together with Kjell Bjarne, his roommate from the institution at Brøynes.
13 November 2003
"Make Believe" - A film about the love of life, love of truth and love between two people who do not understand that they love each other.
03 March 2006
Svein's best friend is a fancy rat named Halvorsen who goes missing during a pet contest, leading to chaos with newspapers reporting a rat invasion.
30 November 2006
Kåre Morten is a Norwegian man with Down Syndrome. Without commenting or interfering, director Sandberg observes his daily life.