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Han Ok-hee is an experimental film director from South Korea. She began her career in filmmaking with the Moving Image Research Group and later formed the female experimental film group Kaidu Club with Kim Jeom-sun, Lee Jeong-hee, and Han Soon-ae.
Total trailers found: 9
01 January 1991
In this later work, director Han Okhi returns to her origins as a scholar of Korean poetry to transform the verse of Han Yong-un (1879–1944)—popularly known as Manhae—into a collage of stunning “cinepoems.
01 December 1975
One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.
27 July 1974
It depicts a dog being dragged by the hand and the reflection of humans in the dog's eyes, and uses animation techniques to capture the image of a line that starts from the umbilical cord and goes through all the panoramas of life to the hanging rope.
23 May 1975
Han Ok-hee's Three Mirrors fantastically expresses the world of a woman's desires, and the surrealist screen composition, the image of a symbolized candle, the nude female body, and the everyday will to break the suffocating wall of reality are poignantly reflected in the flow of the image.
01 January 1977
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
27 July 1973
One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation.
01 January 1976
It shows Korea’s traditional colors and culture through the use of superimposing. It is an experimental film, which not only tries to show Korean traditional culture through the use of color, but also tries to show the modern history of Korea.
07 August 1993
It was produced as a promotional video for the Daejeon Expo '93, showing images of South Korea's rapidly growing modern history.
27 July 1974
shows visual and metaphorical representation using rope as a motif through various rope images and meanings.
