Hans Scheugl Trailers
Dear John TrailerPrince of Peace Trailer(Calcutta) GO Trailer
Total trailers found: 13
01 December 1968
The title of this film refers to the sublime possibilities of the film: the film can be seen forwards, backwards, from above or even upside down.
01 November 1968
With his film, Sugar Daddies, Scheugl leaves the cinema and projects the film in a place similar to the location of the filming: the film material consists of drawings on the bathroom walls at the University of Vienna.
11 June 1993
The entrance to a men's toilet in an underground pedestrian passage in Vienna. Church bells are heard in the distance.
18 October 1985
This is the theme of the film: The secret of objects in the huge space and time curve: the not-being-able-to-recognize, the not-being-able-to-grasp, the not-knowing.
17 February 1968
Scheugl elevates the trivial, the snapped up and coincidental to unmixed small films. In Safety Film he dismembers an epic Hollywood western by withdrawing the color, story rejection and lack of sound into some of its parts.
16 February 1968
Hans Scheugl’s hamburg special consists of a spool of thread that runs through the projector instead of a film.
25 March 1993
A continuous shot from a vehicle's dashboard offering fascinating glimpse of a Calcutta street and the larger picture of daily life in the city.
26 January 1967
A car drives through Schumann street from its beginning to its end. The drive was filmed in one take, end and beginning of the film being identical with the end and the beginning of the street.
25 September 1987
Two women communicate in a language of art, working men in a pub speak in their Viennese idiom, patients of a psychiatric hospital arrive at speech through improvisation – all these diverging portrayals do not merge into one another but communicate by their proximity.
01 February 2015
Hans Scheugl could have started a new life with his friend John in the USA 50 years ago - but he didn't.
31 December 1967
Documentary and pseudo-documentary procedures were filmed simultaneously by two cameras from different viewpoints.
25 November 1988
Documentary by Hans Scheugl on Kurt Kren.