Macaléia TrailerCorman's Eyedrops Got Me Too Crazy TrailerMemórias do Grupo Opinião Trailer
Hélio Oiticica (Rio de Janeiro, July 26, 1937 – Rio de Janeiro, March 22, 1980) was a painter, sculptor, visual artist and performance artist with anarchist aspirations. He is considered one of the greatest artists in the history of Brazilian art.
Total trailers found: 25
25 November 1968
A film regarding the works, the studios and the performances of Abrahan Palatnik, Antonio Dias, Carlos Vergara, Glauco Rodrigues, Helio Oiticica, Ligia Pape, Lygia Clark, Pedro Escosteguy, Rubens Gerchman, Tomoshige Kusuno, Wesley Duke Lee, and the São Paulo 9th Bienal of Art.
03 January 2004
A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.
10 May 2005
A short documentary on Belair, an independent Brazilian film company that lasted for only five months in 1970.
15 May 2019
Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances.
01 January 1979
An experimental film on Brazilian avant-garde artist Hélio Oiticica and his works, especially the Parangolés.
27 January 2020
A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel.
29 August 1969
Apocalipopótese documents a public art happening organized by Rogério Duarte with Hélio Oiticica and Lygia Pape.
08 November 1973
Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.
25 October 2017
A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.
21 November 1997
The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.
14 September 2012
Set against the turbulent atmosphere of the 1960s, Tropicália is a feature length documentary exploring the Brazilian artistic movement known as Tropicália, and the struggle its artists endured to protect their right to freely express revolutionary thought against the traditional Brazilian music of that time.
01 January 1971
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
01 January 1972
A silent film shot in New York in 1972, including scenes in Hélio Oiticica’s apartment. Last film made in exile by Bressane, it mimics the experimental concept of "quasi-cinema" by Hélio Oiticica.
01 January 1997
A late-1960s interview with Brazilian filmmaker Glauber Rocha, mixed in avant-garde style with scenes from his films and clips from fellow filmmaker José Mojica Marins and visual artist Hélio Oiticica.
01 January 1972
This film shows people with constant psychological and social conflicts: the violence among outlaws, conflicts between man and woman, police and society.
04 October 2012
Hélio Oiticica was one of the artists that most united reflection with artistic creation. His ideas and propositions, expressed not only in texts but also in statements and interviews, revolutionized art and culture, transforming him into one of the most important Brazilian artists of the 20th century.
01 March 1973
In 1973, exiles from Brazil during the military dictatorship, artist Hélio Oiticica and filmmaker Neville D’Almeida lock themselves in an apartment in Manhattan and fantasize a series of iconic sensory installations called quasi-cinema - experience blocks in Cosmococas.
01 June 1972
In Manhattan and Wall Street's majestic, neoclassical architecture, characters try their luck, ambiguously posted between the mundane and transcendence.
