Henrique Cartaxo Trailers
The Greatest Funeral Hits TrailerRoberto Baggio TrailerM Is for Mothers Trailer
The Greatest Funeral Hits TrailerRoberto Baggio TrailerM Is for Mothers Trailer
Total trailers found: 10
17 April 2022
Veteran math teacher Hilmi is preparing the earthquake survivor Ela for her college applications and is mentoring Ali, the doorman's son, who flunked for the second time at school.
20 September 2015
At first glance, a film about an ordinary school day for a teenage girl in Istanbul. But as Tuesday details three encounters she has while going to school, playing basketball, and taking a bus home, it becomes an observational exposé of men who believe they are entitled to an unquestioned authority over a woman's personal space.
01 December 2021
In the film adaptation of the show “Abominável”, created from texts by different dead authors, a body crossed by war and passion breaks free from a violin case.
23 October 2021
A private meeting with the Afro-Brazilian deity Eshu is symbolised through visual abstractions of home images, readings on the subject, memories of a carnival and reflections associated with quantum physics.
18 June 2023
Marcela and Melanie are a couple that decided to have babies. While Melanie gets pregnant with twins through an IVF, Marcela takes hormones to induce lactation in her non-pregnant body.
15 January 2019
A group of friends from São Paulo head for a secluded beach to celebrate New Year’s. Together they relax, sunbathe and make music.
27 October 2025
An ever-crying woman who lost her husband; A mismatched couple preparing for their wedding night; A video artist hearing a confession about 20,000 euros after wrestling with his girlfriend in bed.
16 January 2017
The trajectory of the Brazilian punk band Plebe Rude is told in an acid and good-humored tone. Through internal dialogues, the members and contemporary characters of the phonographic industry expose differences, exorcise hurts and analyze how changes in the Brazilian scenario in recent years.
01 March 2024
A filmmaker investigates his childhood memory of Brazil’s 1994 World Cup win, reflecting on capitalism and pop culture through a moody ’90s aesthetic.