Hiroshi Yamazaki Trailers
[Kei] TrailerFlower in the Space TrailerWinds Trailer
Hiroshi Yamazaki (Japanese: 山崎 博, Hepburn: Yamazaki Hiroshi, 21 September 1946 – 5 June 2017) was a Japanese photographer whose works concentrate on the sun and the sea. Born in Nagano on 21 September 1946, Yamazaki studied at Nihon University but dropped out in 1968, starting out as a freelance cameraman a year later, working in both still photography and 16mm film. Yamazaki is best known for two series. "Heliography" uses long exposures to show the path of the sun near the horizon. "Horizon" (Suiheisen saishū) is a study of sea horizons.
Yamazaki became a full professor at Tohoku University of Art and Design in 1993, and also taught at Musashino Art University and TPO Photo School and won the 26th Ina Nobuo Award in 2001.
He died on 5 June 2017 of cancer of the gums.
Most Popular Hiroshi Yamazaki Trailers
Total trailers found: 20
01 July 1975
ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions).
01 January 1973
'Vision Take 1' combines the use of Super 8 and video formats to play with the image of the sea.
02 January 1970
First Half: Kamasutra in three dimensions. Second Half: Report-movie-like short story.
01 January 1972
16mm, b&w, silent, 5'00
01 January 1989
Shot on video in 1989, is a reflection on film of the ideas he captured in a series of photos towards the end of his career.
01 January 1984
16mm, 5'00
01 January 1979
An experimental short through which Yamazaki brings his preoccupations and inquiries about time and light from conceptual photography into moving images.
01 January 1973
16mm to digital, 6'00
01 January 1972
16mm, b&w, 6'00
01 January 1976
16mm, b&w, silent, 1'00
28 June 1973
16mm, b&w, 7'00
01 January 1980
Hiroshi Yamazaki, 16mm, 10'00.
01 January 1983
16mm, 5'00
01 January 1981
16mm to digital, 7'00
01 January 1985
16mm to digital, 6'00.
01 January 1973
Hiroshi Yamazaki, 16mm, 1'00
01 January 1978
Yamazaki's films are strongly related to his photographic work, which is concerned with filmic temporality and the understanding of cinema as a time-based medium.
01 January 1975
A scene of a street corner transformed through the use of a single gradual filter change and a superimposed shot of the position of the midday sun on 27 consecutive days.
01 June 1976
Yamazaki's films are strongly related to his photographic work, which is concerned with filmic temporality and the understanding of cinema as a time-based medium.
01 January 1991
One of the last works by the Japanese photographer and filmmaker Hiroshi Yamazaki.