Ingrid Oppermann Trailers
Before Your Eyes - Vietnam TrailerBetween Two Wars TrailerHis-Story Trailer
Before Your Eyes - Vietnam TrailerBetween Two Wars TrailerHis-Story Trailer
Total trailers found: 15
28 June 1971
An educational film about an aspect of political economy. The concepts of use value, barter value and labor as a commodity are the subjects; they are intended to introduce the process of understanding the theory of value of work and the law of values, alienation and fetish.
31 December 1967
“Six young people move through a city in order to establish the starting point of their joint action.
20 August 1964
When a villain named "Der Schut" terrorizes the constituents of Albanian country, which he rules, heroic Kara Ben Nemsi and his sidekick are the only ones who can stop him.
01 January 1968
Clearly influenced by Brecht and Jean-Marie Straub, criticizes the reduction of human relations to economic relations as well as the US imperialism in Vietnam.
31 December 1969
This short snippet of silent 8 mm film was filmed by Ingrid Oppermann in West-Berlin, possibly close to her apartment in Kurfürstenstraße, where Harun Farocki’s The Words of the Chairman (1967) was shot.
04 July 1971
Experimental feature about a woman getting involved in radical politics.
06 October 1971
A dryly humorous instructional film from West Germany about how to use an Arriflex 16BL camera.
26 July 1969
An austere treatise on the military-industrial complex that produces napalm.
01 February 1970
Straschek's film points to the gap between workers and intellectuals and describes the "difficulties of the revolution" in a biting and witty way.
05 November 1978
A film about the time of the blast furnaces – 1917–1933 – about the development of an industry, about perfect machinery which had to run itself to the point of its own destruction.
05 April 1971
A young woman takes the train to Berlin. She wants to kill her friend Wolf, a theater actor. When the woman meets him, he tells her about his weird wife.
24 January 1982
An unconventional essay film that interrogates the visual and ideological legacy of the Vietnam War. Blending staged scenes, archival footage, photographs, and philosophical dialogue, the film follows various characters — including an American soldier captured by North Vietnamese villagers — as they reflect on violence, memory, and image-making.
17 April 1970
A worker is sitting at a conveyor belt on which light bulbs are coming in at regular intervals. He takes the light bulbs from the conveyor belt and inserts them into a testing device.
01 January 1972
A female student laments the role of women in the student movement. Her boyfriend fears that she might soon reject socialism and turn into a feminist.