Movie Trailers - January 1968
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Steam Ballet Trailer (1968)
01 January 1968
Those sensual machines, steam tractors, reveal a remarkable ability to perform to music.
Documenta 4 Trailer (1968)
01 January 1968
Held in Kassel between June and October 1968, documenta 4—the last to be directed by Arnold Bode—was plagued by controversy and debate: artistic, political, generational, and aesthetic conflicts, as well as tensions between European and American art were some of the issues that affected this edition, echoing the social and political upheavals that were taking place elsewhere at the same time.
Automatic Free Form Film Trailer (1968)
01 January 1968
"I would like to say something else in relation to the Automatic Free Form Film movement. The camera was constantly moving.
A Place to Live Trailer (1968)
01 January 1968
A City of Chicago sponsored film commissioned by Lewis W. Hill for the Department of Urban Renewal. The film attempts to defend the city's redevelopment plan for residential and commercial urban renewal, and explains how relocation officers can assist those who have been recently displaced.
Gallery Trailer (1968)
01 January 1968
"This short, silent film, a gallery of shots put together like a jazz improv, uses many devices to affect the image that comes from the camera.
Matsam Trailer (1968)
01 January 1968
In northern Cameroon, Kodoko, a young Muktele woman, is expecting her second child. A rite of exorcism is about to be conducted so as to rid her body of Matsam, a deleterious spirit.
Mullardability Trailer (1968)
01 January 1968
A BAFTA award nominated promotional film for Mullards's wide range of products in the field of electronics.
I/68 Dinge Trailer (1968)
01 January 1968
Starting from indeterminate, large public spaces, the film focuses on the lines, corners, and openings of a barren apartment, eventually landing without lingering on used items, a cloth, crumpled paper.
Mount Piney Trailer (1968)
01 January 1968
The boys' credit has run out at the general store, and they are hungry. A tourist arrives asking for a guide to Mount Piney.
The Jail Bride Trailer (1968)
02 January 1968
Murat has to marry someone if he is to collect his inheritance. So his lawyer decides to marry him to an inmate on death row.
The Country of the Blind Trailer (1968)
01 January 1968
Documentary about the Scottish National Institution for the War Blinded
Children of Synanon Trailer (1968)
01 January 1968
A documentary about the life of children of residents at Synanon (a community primarily of former drug addicts).
Film Club Trailer (1968)
01 January 1968
The growing excitement of a group of Puerto Rican teenagers at a storefront film workshop (Young Filmmakers) on New York's Lower East Side, creating their own films and showing them in the streets to young people throughout New York City.
Impressions de Cinq Femmes Sur le Célibat Trailer (1968)
01 January 1968
Five women's impressions of being single.
X-Bilder Trailer (1968)
01 January 1968
The only film that Kurt Kühn made (alongside a few commissioned works) has 44,701 images. 44,701 images run in front of the viewer according to an open structural principle and refer to the basis of every film: individual images that are combined into movements of all kinds.
El Inmortal Trailer (1968)
01 January 1968
Based on the Jorge Luis Borges story of the same name, the film, by means of a whirlwind of elusive images, relates the story’s protagonist’s long journey in search of the secret City of the Immortals.
Hands Up Mr. Rasnichi Trailer (1968)
01 January 1968
A cautionary tale about the myriad shades and shapes of totalitarianism in an irreverent, surreal 1960s mix of styles featuring acerbic Austrian cabaret icon Helmut Qualtinger speaking in tongues.
Sears Sox Trailer (1968)
01 January 1968
A short piece of commercial work done by three legendary L.A. artists. This piece was shown on loop projectors in Sears stores to promote an exciting and new young ladies' clothing line.
Superimposition Trailer (1968)
01 January 1968
Similes of a slippery TV tube gesticulate break and supply – a long view of multiple images (Mr. Johnson's war, is it Howard Johnson's or President Johnson's war?) – a long curving view, breakfast with aspirin, good grief – or Goodbye.
Osaín Trailer (1968)
01 January 1968
A tale about a child-god based on Cuban folklore, spoken in lucumí dialect.
Break-up Trailer (1968)
01 January 1968
The basis of the film is a series of original drawings with the joint title 'Upruption', drawn by Palle Nielsen from the autumn of 1965 to the beginning of 1966.
José Medina Trailer (1968)
01 January 1968
A documentary short on the life and works on José Medina, one of early Brazilian cinema's most renowed pioneers.
Pesca Pisca Trailer (1968)
01 January 1968
A sensual film of continuous orgasm of pulsating color and image.
Small World Trailer (1968)
01 January 1968
A rare “talkie” displaying Bill’s gift for dialogue, Small World is a comedy of manners about two married couples who meet by chance at an outdoor café and think they have met before.
Meatdaze Trailer (1968)
02 January 1968
Made to represent an entire cinema programme, Meatdaze consists of six sections that include cartoons, supporting and main features.
The Seasons Change Trailer (1968)
01 January 1968
On December 15, 1968, The seasons change was screened in response to, What trees do they plant?, a City of Chicago film made to combat he image of police brutality during the August, 1968 Democratic Convention.
Still Life Trailer (1968)
01 January 1968
An elderly woman is admitted to an asylum and all her possessions are removed by the council. The idea came from Peter Jewell, who was working as a social worker at the time, but is reminiscent of Bill's own family history.
Telephone For Help Trailer (1968)
01 January 1968
A safety short which teaches children the proper way to call the police or fire department in a pre-911 world.
Garbage Newsreel Trailer (1968)
31 January 1968
A group of people go about New York City while Garbage is discussed on the soundtrack
Zipzibbelip Trailer (1968)
01 January 1968
A grotesque review of actions performed in vain and those of frustration incarnate: it is about the vain attempt to button up a pair of briefs, the failure of a cavalier, a voyeur, a couple taking part in a dance contest; five fragmentary scenes running backwards and forward, standing upright and on their head, accelerated and recurring in cuts that vary in length.
Machen wir den Tegeler Weg zur Kochstrasse Trailer (1968)
01 January 1968
Film announcing the November 4, 1968 demonstration and urging demonstrators to be prepared to fight.
The Ladder Trailer (1968)
01 January 1968
Cartoon fantasy about how a little man is taught by life about right and wrong ambitions. (DFI)
The Barn Swallow Trailer (1968)
01 January 1968
To show the habitat, life cycle and typical activities of the Barn Swallow.
Tarzan’s Kampf mit dem Gorilla Trailer (1968)
01 January 1968
A satire with cinematical comedy. No other medium would permit this specific form. The comic potential of pithy scraps of dialogue between safari companions, of Tarzan's war-cries and love-stammerings was amplified by illustrating these sounds with pictures of a friendly German wood and homely elephants in a zoo.
With Open Arms Trailer (1968)
01 January 1968
In a circus troupe in Rio, a seducer falls deeply in love with a crippled woman. Cured and restored, she refuses to return with him to France, unleashing emotional turmoil.
Muhkuh Trailer (1968)
01 January 1968
This film, conceived for an "oral culture" shows cows on a pasture in Northern Germany in one single shot.
A Fan Trailer (1968)
01 January 1968
A man in drag sits on a couch holding a fan. The wallpaper behind him is floral patterned. Although the man does little more than looking around and waving his fan, Zwartjes created enormous tension.
How to Do Anything at All with Girls Trailer (1968)
01 January 1968
Bob hires call girls for his PR clients, and invites another couple to help them relax. Signals get crossed and the call girls mistake who they're there to service.
Report Trailer (1968)
01 January 1968
An experimental film based on the young painter Søren Hansen's expressive graphic plates, which appear in the film's close-ups as a rugged, divided and hostile world in itself.