Jeremy Moss Trailers
Apocryphon TrailerIll Composto TrailerArch Trailer
Jeremy Moss is a Pennsylvania-based filmmaker and curator from the American Southwest.
Apocryphon TrailerIll Composto TrailerArch Trailer
Jeremy Moss is a Pennsylvania-based filmmaker and curator from the American Southwest.
Total trailers found: 17
03 May 2024
A ritual, a preparation, a song, a spell, a performance. The body dissolves into cinematic space, melding flesh and film.
28 November 2018
A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk.
23 October 2021
A solo performer (Vail) dances free of societal restraints. Fluid sequences of movement are situated in a non-hierarchical, undetermined space.
22 October 2023
A collaborative Dadaist/exquisite corpse film on the theme of waste by four members of Moviate, a filmmaker-run curatorial collective based in Harrisburg, Pennsylvania.
01 January 2014
Measured viewpoints positioned on concentric circles dissect and engage the movement of a solo performer in an abandoned mill.
01 November 2012
A song of creation: immaterial space spawns volatile matter; obfuscated landscape emerges from splintering celluloid.
28 August 2016
A filmmaker and a dancer meet in the same location twice a day - once in the early morning, once in the late afternoon - for five consecutive days.
01 January 2014
A textural experience in layers, scars, and deterioration that combines hand processed, tinted, and toned 16mm imagery.
01 January 2013
Direct manipulation acts as inciting catalyst as a dancing figure becomes ingrained and lost in the celluloid, creating an immersive new realm for the moving figure.
01 January 2011
Stumbling upon sun bleached bullet-riddled vintage porn sequestered in hidden desert nooks and sagebrush, circuit boards and shattered glass along off-the-path shooting ranges, rotting cow parts in ritual-like mounds, a prophet’s omniscient and culpable gaze; contemplating ideology and place, attempting to apply memory to moving image.
22 August 2020
Grain size criteria. Pixels in space. The earth spins while bodies and cameras wind and rotate on its surface.
01 January 2012
A wild and hypnotic ride that focuses, via manic perspective shifts, on the driving movement of a solo figure against a backdrop of frenetically flickering colors; these jolting chromatic and frame variations dance as much as the performer.
01 January 2016
A show about the unused and the discontinuous. They build in obsolescence. They invade us with updates.
01 January 2013
Combining hand-processed 16mm imagery, a deconstructed lyric essay, and an ambient score by composer Vicki Brown, The Blue Record meditates on the pastime of ruin-gazing and its application across a wide range of aesthetic experiences.
01 January 2016
Created in-camera in Marfa, TX on a freezing day in January on expired film with my Bolex while the sun was setting.
01 January 2021
The plants, they shine at night. A melodrama of wavering moths, sparrows, cicadas, shadows, streams, and towering trees.
01 January 2007
Three characters are abruptly introduced in surreal fits of action; actions that are attempts at escape and transcendence, but ultimately fail to satisfy.